Film and
Live Production
BRANDED PROJECTS I WORKED ON:
In the Fall of 2024, I interned at Done and Dusted, the production company behind shows like the Emmys, Kennedy Center Honors, Valorant Champions, and League of Legends Worlds opening ceremonies and various well-known brand keynotes.
During my time at Done and Dusted, I worked on various decks, RFPs, and ideas delivered to clients, such as Epic Games, Riot Games, Victoria’s Secret, the Obama Foundation, and more, to develop new, unique events.
Other tasks include researching potential new clients and partnerships, managing data and video logs, handling reception work, tracking expenses, assembling presentations, and assisting on set.
Various Production Experiences
Wrestlemania 2025 (Research Assistance)
Dead Funny - An All-Star Tribute to Joan Rivers (Office and Package Production Assistant
Valorant Champion’s 2025 (Research Assistance)
Victoria’s Secret Fashion Show 2024 (Research Assistance)
Epic Unreal Fest Seattle 2024 | Opening Session (Research and Production Assistant)
Red Bull Campus Clutch: Northeast Final 2023 (Production Assistant)
Red Bull Campus Clutch: U.S. Final 2023 (Production Assistant)
Head of the Charles Regatta 2021 (Graphics Operator)
The Noblemen: BA Thesis Film (Producer)
Critical Damage Season 4 (Associate Producer)
The FBI Wants My Toaster Teaser Trailer (Editor)
Figgs’ Very Merry Christmas Trailer (Editor)
Emerson Esports 2024 Studio Special (Producer)
Emerson Esports (Videographer)
Red Bull Cliff Diving Boston 2023 (Production Assistant)
Red Bull Dance Your Style Boston (Production Assistant)
“Calum, eat me, please…"
Fast Food Frenzy combines exciting action and practical and visual effects, like stop motion, tons of puppet fast food monsters, and a good old string and fishing line! Fast Food Frenzy will be released next year after its festival run!
On Fast Food Frenzy, I worked as a co-director, co-writer, sound designer, and executive producer, managing a crew of about 30 people.
Fast Food Frenzy
Struggling to maintain his diet, Calum has to fight his cravings when a mysterious bag of fast food arrives at his door… but what happens when the cravings fight back?
Figgs’ Very Merry Christmas
It’s December 24th, and everyone’s favorite blue puppet — Figgs Newton — is on his way to visit his grandpa for Christmas. But not without a few surprises along the way! Join Figgs as he faces a race against time to save Christmas and maybe discover its true meaning along the way…
“Ah, figgy pudding!”
Figgs’ Very Merry Christmas had the unique challenge of its main character being the blue puppet Figgs Newton! Despite that, Figgs’ Very Merry Christmas is a sprawling, city-wide adventure featuring an unforgettable cast of characters and even Santa Claus himself!
I co-directed, co-wrote, edited, sound designed, and co-produced the award-winning Figgs’ Very Merry Christmas last winter.
The F.B.I Wants My Toaster
Now living alone with his father, lonely kid Nik Chatterjee didn’t expect the friend he’d need to be… a toaster! Little does Nik know that the solution to his problems is also the source of others when Special Agent Burman arrives in town searching for a particular sentient kitchen appliance…
“My name’s Special Agent Burman, and your name… doesn’t matter.”
The F.B.I. Wants My Toaster is the newest short film I am producing over the course of this winter.
Car chases, government agents, giant machines, a talking toaster, oh my! Like my previous work (see Figgs’ Very Merry Christmas and Fast Food Frenzy above), The F.B.I. Wants My Toaster is approachable and crowd-pleasing, never sacrificing its weirdness.
The The F.B.I. Wants My Toaster will be filming this winter with a planned release in late spring/early summer 2024! Like others, I will again produce, direct, edit, and sound design!
Critical Damage
Critical Damage is Emerson College’s #1 show for all things esports and gaming!
“Hello, and welcome back to Critical Damage!”
Critical Damage is a TV show centered around talking about all things esports and gaming, with lots of twists, turns, and fun games, of course, along the way!
On Critical Damage Season 5, I worked as the logistics executive producer and camera operator after working as an associate producer on Season 4.